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Ernst Heinrich Roth

sku Product SKU:  19250

The town of Markneukirchen in Saxony has been famous for violin making since the mid 1600s when the first violin making guild was formed. By the late 1800s more than a quarter of a million string instruments a year were being shipped all over the world with almost half the production coming to the U.S. After WWI, production in Markneukirchen dropped significantly but the companies that remained started to concentrate on the making of higher quality instruments. At the beginning of the 1920s. Ernst Heinrich Roth I (1877-1948) took over the operation of the Roth family firm and began to produce violins of exceptional quality. These fine violins were so popular in America that Ernst Heinrich sent his son Ernst Heinrich II (1890-1961) to this country to represent the firm. By the 1930’s, production decreased due to the rise of Nazism and the war. In spite of that, we still see fine Roth violins from the 30’s and even the late 40’s. Under Communist rule, the firm was taken over by the government and their building confiscated. In 1953, the business was re-established in Bubenreuth, West Germany and they began production of high quality violins, violas, cellos and bows.

Today, Ernst Heinrich Roth violins from the 1920’s are in great demand because of their exceptional quality and are increasing in value. Although originally the 1920s Roth violins were made in 13 different quality grades (reproductions of works of famous Cremonese violins by Stradivari, Guarneri and Amati), there is actually little difference in the different models in terms of quality. Some of these violins are labeled Eugen Meinel and are similar to the Roth violins and have comparable value. We have always searched for Roth violins from the 1920s and usually will have several examples available.

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Ernst Heinrich Roth
19250

The town of Markneukirchen in Saxony has been famous for violin making since the mid 1600s when the first violin making guild was formed. By the late 1800s more than a quarter of a million string instruments a year were being shipped all over the world with almost half the production coming to the U.S. After WWI, production in Markneukirchen dropped significantly but the companies that remained started to concentrate on the making of higher quality instruments. At the beginning of the 1920s. Ernst Heinrich Roth I (1877-1948) took over the operation of the Roth family firm and began to produce violins of exceptional quality. These fine violins were so popular in America that Ernst Heinrich sent his son Ernst Heinrich II (1890-1961) to this country to represent the firm. By the 1930’s, production decreased due to the rise of Nazism and the war. In spite of that, we still see fine Roth violins from the 30’s and even the late 40’s. Under Communist rule, the firm was taken over by the government and their building confiscated. In 1953, the business was re-established in Bubenreuth, West Germany and they began production of high quality violins, violas, cellos and bows.

Today, Ernst Heinrich Roth violins from the 1920’s are in great demand because of their exceptional quality and are increasing in value. Although originally the 1920s Roth violins were made in 13 different quality grades (reproductions of works of famous Cremonese violins by Stradivari, Guarneri and Amati), there is actually little difference in the different models in terms of quality. Some of these violins are labeled Eugen Meinel and are similar to the Roth violins and have comparable value. We have always searched for Roth violins from the 1920s and usually will have several examples available.

Paul Bailly *SOLD*
23648

Paul Bailly worked initially with Gailliard and J.B.Vuillaume in Paris. He then traveled to  Lille, Mirecourt, Paris, Brussels, Rheims, London, Leeds (With Harry Dikes) and even to America before settling in Paris in 1899. Over his career he won over ten medals for his work. His instruments were always very fine on a number of classical models.  The tone is quick and responsive with great overtones.

Paul Blanchard *SOLD*
19070

We are pleased to offer this superb violin by Paul Blanchard of Lyon, one of the great 19th century violin makers. Born in Mirecourt, the cradle of French violin making, he began his studies at the age of 15. He subsequently trained with and worked for some of France’s most prominent luthiers, including Darte and Silvestre. At the fresh age of 19 he established his own shop in Lyon, where he had a long and storied career. The most prominent instrument maker in Lyon during his lifetime, he was appointed official luthier to the Lyon Conservatory, the Lyon theaters, and the Lyon orchestra. Made at the height of his ability, this violin is of luminous tonewood dressed in a rich red varnish. It has a vibrant tone and is in excellent condition. It is accompanied by a Moennig certificate.

Michele De Luccia
21819

Michele studied violin making with his cousin Gennaro then settled in Casigliano,  moving to Salerno in 1943. In the late 1950’s he emigrated to New York, working with Rembert Wurlitzer and Jacques Français.

Michele Ferrari
17432

Ferrari graduated from the Cremona violin making school ten years ago and has worked with Massimo Negroni and Elio Severgnini. He works both in Cermona and Madrid. We picked this violin from our last Cremona exhibition.

Sam Billings
22578

After graduating from the Chicago School of Violin Making, Sam Billings worked in the Chicago area and was represented by major Chicago violin shops including Kenneth Warren and Sons and Bein & Fushi. His violins have been acquired by a number of important musicians for example, the first violinist of the Takács Quartet.

Saeid & Shahram Rezvani
REZVANI

Over the last 25 years the brothers Rezvani have made more than 500 violins, violas, and cellos. They began their studies in Iran with Ibrahim Ghambari Mehr, ex-student of the Parisian master, Etienne Vatelot, and later in Vienna with Johann Rombach. They continue perfecting their art as members of the Violin Society of America, working with such masters as Joseph Curtain. Now based in Los Angeles, they produce excellent instruments. Their work is very characteristic, resonant and sweet, easy to play, rich in tone color. We are very fortunate to have several of their instruments at this time, perfect for a young musician.

Sam Billings *SOLD*
22577

After graduating from the Chicago School of Violin Making, Sam Billings worked in the Chicago area and was represented by major Chicago violin shops including Kenneth Warren and Sons and Bein & Fushi. His violins have been acquired by a number of important musicians for example, the first violinist of the Takács Quartet.

Marco Nolli
12128

Nolli, like many of the top Cremona makers, was fortunate to have been at the school when Stefano Conia and Giorgio Scolari were teaching there. Since graduation, he has won numerous medals at competitions all over Italy and has launched a very successful career. This violin is now a few years old and has been “played in”. The tone is smooth, clear and responsive.

Francois Jaques Barbé
9112

Avallon mid 19th century

Joseph Aubrey *SOLD*
18465

Aubrey is well respected as a fine maker and won prizes for his work at major competitions. The tone is brilliant and very responsive with great playability.

Caussin Workshop *SOLD*
15053

The Caussin workshop in Neufchâteau (near Mirecourt) produced excellent instruments from 1830 until the end of the 19th. Century. Over the years we have been able to offer a number of these fine and very interesting instruments. This violin has an excellent, brilliant tone with easy playability.

Ernst Heinrich Roth
22974

Over the years, we have offered a number of fine violins from the Ernst Heinrich Roth workshop made in the 1920’s. This violin dating from 1928 is an unusually fine example. Modeled after a Stradivarius of 1718.

Roger & Max Millant
15706

Brothers Roger and Max Millant were among the most respected European makers of their generation. Beginning their studies with their prize winning grandfather Sebastien-August Deroux, they continued their studies with Mougenot in Mirecourt and with Dykes in London. After establishing their own shop in Paris in 1930- shortly before turning 30- they quickly developed fame for constructing instruments of robust tone and elegant craftsmanship. During the course of their career, they won prizes in Cremona, The Hague, and Liege, among others. This violin is a classic example of their work from the same year they won first prize at The Hague for a quartet of instruments. It is of extremely attractive wood and a rich red varnish, and has a clear warm tone filled with resonance and color. 

 

William Moennig & Sons
22492

For over one hundred years (1909-2010) the firm of William Moennig & Sons was one of the most important violin dealers in this country. Over the years they employed some of the best makers in this country. They also had close relationships with some the finest violin makers in Markneukirchen (due in part to the fact that William Jr. studied violin making there before the second world war) and they were able to get many of the finest violins from those makers after the second world war. This is an especially fine violin and is in almost perfect condition.

Joseph Vautrin *SOLD*
21328

Joseph Vautrin started as a violinist and composer, then apprenticing to Chipot-Vuillaume in Mirecourt. He moved to Paris becoming the head of Emile Germain's workshop. He returned to Mirecourt then setting up his workshop in Chaumont. This fine violin is typical of his work with a beautiful golden orange varnish. This violin has a smooth, even warm tone with excellent playability.

D. Nicolas Aine
23998

Didier Niolas known as D. Nicolas l'aine was the most respected and certainly the most successful of the Nicolas family of violins makers. He establisehd a workshop which at one point had over 500 employees.

This beautiful violin represents the highest quality workmansip from that famous shop.

J.E. Hardwick
17383

Hardwick was a pupil of George Wulme Hudson. This violin has a brilliant, powerful tone.

Andrea Schudtz
19406

Andrea began his career in violin making with his father in Moscow and was already an established maker when he began his studies at the violin making school in Cremona, graduating in 1995. He has won numerous awards at international competitions.

 

Carlos Funes
18356

Carlos was born in Honduras and came to the U.S. as a child. He made his first stringed instruments in high school on his own. Excited by his early success he went to Cremona, Italy to study violin making at the renowned International violin making school, graduating in 1983. He stayed in Italy as a violin maker before returning to this country over thirty years ago. Even after all these years, his instruments show the finest qualities of the Italian violin makers who influenced him.

Léon Mougenot
21035

The Mougenot family of violin makers goes back to the 17th century. Léon worked with E.Laurent in Brussels, Blanchard in Lyon and W.E.Hill and Sons in London before establishing his own shop in Mirecourt in 1899. His work has always been highly respected for his very fine workmanship.

D. Nicolas
22384

Mid 19th. Century – branded and signed.

Charles Voiry
11272

Charles Voiry trained in Mirecourt as did most of the best French violin makers. He then moved to the beautiful and historic city of Toulouse and soon became very successful. His shop was frequented by some of the finest musicians of the time including Zino Francescatti, Jacques Thibaud, Ginette Neveau and cellist Andre Nevarra.