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Ifshin Rare & Fine Instruments

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Charles Adolphe Gand

sku Product SKU:  18794

Like so many of the finest luthiers, Charles Adolph Gand grew up in a family with a long lineage of important makers. His pedigree can be traced back to Nicolas Lupot of Orleans, arguably France’s most influential maker. After studying with and working for Francois Pique, the first of the French makers working in the “modern” style, Lupot set up in Paris in 1798. His accolades include an appointment to the Imperial Chapel in 1813, luthier to King Louis XVIII in 1816, and a commission as luthier to the Paris Conservatory of Music in 1817, to whom he would make an instrument for the winner of the annual competition. In 1802 he hired Charles Francois Gand, known as Gand Pére, as apprentice.

Charles Francois Gand, the father of Charles Adolph Gand, was himself a first rate luthier. Having learned the “modern” style from his master, Gand Pére constructed instruments on the Stradivarius model rather than the Stainer or Amati models. In other words, he preferred instruments with a flatter arching which achieved a powerful sound fit for contemporary concert halls. In 1820 he acquired the shop of another influential Parisian maker, Koliker, building a large atelier of international importance. Though he was considered a rival to the thriving businesss of Vuillaume and Lupot, he maintained a good relationship with Lupot. When Lupot retired in 1824, he passed all his official appointments to Gand Pére.

Charles Adolph Gand, also known as Gand Frére, took over his father’s shop in 1845. Steeped in a rich tradition of France’s best luthiers, Gand flourished as one of the finest makers of his generation. Working with his brother Eugene, he won 1st prize at the Paris Exhibition in 1855, receiving the prize directly from Napoleon III, the emperor of France. In 1862 he was made Chevalier de la Légion d’Honneur, the highest honor in France. A source of national pride, he was also the official luthier to the Paris opera and to the Emperor. Because he was an acclaimed expert of old instruments he had limited time to make instruments. Yet his entire production is of the highest quality, and is sought after by collectors and professional musicians alike.

This violin is exemplary of his production. All the woodwork is exquisite and elegant, the varnish a rich red with a touch of antiquing. The tone is clear and fresh with plenty of power. It is in exceptional condition and would be fit for a collector or professional musician. It is accompanied by a certificate from Jean-Jacque Rampal from 2020.

USD 0.0000

Ernst Heinrich Roth

sku Product SKU:  19250

The town of Markneukirchen in Saxony has been famous for violin making since the mid 1600s when the first violin making guild was formed. By the late 1800s more than a quarter of a million string instruments a year were being shipped all over the world with almost half the production coming to the U.S. After WWI, production in Markneukirchen dropped significantly but the companies that remained started to concentrate on the making of higher quality instruments. At the beginning of the 1920s. Ernst Heinrich Roth I (1877-1948) took over the operation of the Roth family firm and began to produce violins of exceptional quality. These fine violins were so popular in America that Ernst Heinrich sent his son Ernst Heinrich II (1890-1961) to this country to represent the firm. By the 1930’s, production decreased due to the rise of Nazism and the war. In spite of that, we still see fine Roth violins from the 30’s and even the late 40’s. Under Communist rule, the firm was taken over by the government and their building confiscated. In 1953, the business was re-established in Bubenreuth, West Germany and they began production of high quality violins, violas, cellos and bows.

Today, Ernst Heinrich Roth violins from the 1920’s are in great demand because of their exceptional quality and are increasing in value. Although originally the 1920s Roth violins were made in 13 different quality grades (reproductions of works of famous Cremonese violins by Stradivari, Guarneri and Amati), there is actually little difference in the different models in terms of quality. Some of these violins are labeled Eugen Meinel and are similar to the Roth violins and have comparable value. We have always searched for Roth violins from the 1920s and usually will have several examples available.

USD 0.0000

Shahram & Saeid Rezvani 16"
18343

Over the last 25 years the brothers Rezvani have made more than 500 violins, violas, and cellos. They began their studies in Iran with Ibrahim Ghambari Mehr, ex-student of the Parisian master, Etienne Vatelot, and later in Vienna with Johann Rombach. They continue perfecting their art as members of the Violin Society of America, working with such masters as Joseph Curtin. Now based in Los Angeles, they produce excellent instruments. Their work is very characteristic, resonant and sweet, easy to play, rich in tone color. We currently have 2 fine violas, both of which are quite responsive and represent a great value for the performing musician.

Clifford Roberts 16 ½"
17549

After studying in Cremona for several years, Clifford settled in Philadelphia. Although he suffered from a rare neuromuscular disorder, he crafted over 60 violas, all of a high caliber. Among his customers were members of the Julliard String Quartet and the Philadelphia Orchestra. This viola is a superb example of his work, with characteristic plain wood and a rich, dark tone.

Charles Adolphe Gand
18794

Like so many of the finest luthiers, Charles Adolph Gand grew up in a family with a long lineage of important makers. His pedigree can be traced back to Nicolas Lupot of Orleans, arguably France’s most influential maker. After studying with and working for Francois Pique, the first of the French makers working in the “modern” style, Lupot set up in Paris in 1798. His accolades include an appointment to the Imperial Chapel in 1813, luthier to King Louis XVIII in 1816, and a commission as luthier to the Paris Conservatory of Music in 1817, to whom he would make an instrument for the winner of the annual competition. In 1802 he hired Charles Francois Gand, known as Gand Pére, as apprentice.

Charles Francois Gand, the father of Charles Adolph Gand, was himself a first rate luthier. Having learned the “modern” style from his master, Gand Pére constructed instruments on the Stradivarius model rather than the Stainer or Amati models. In other words, he preferred instruments with a flatter arching which achieved a powerful sound fit for contemporary concert halls. In 1820 he acquired the shop of another influential Parisian maker, Koliker, building a large atelier of international importance. Though he was considered a rival to the thriving businesss of Vuillaume and Lupot, he maintained a good relationship with Lupot. When Lupot retired in 1824, he passed all his official appointments to Gand Pére.

Charles Adolph Gand, also known as Gand Frére, took over his father’s shop in 1845. Steeped in a rich tradition of France’s best luthiers, Gand flourished as one of the finest makers of his generation. Working with his brother Eugene, he won 1st prize at the Paris Exhibition in 1855, receiving the prize directly from Napoleon III, the emperor of France. In 1862 he was made Chevalier de la Légion d’Honneur, the highest honor in France. A source of national pride, he was also the official luthier to the Paris opera and to the Emperor. Because he was an acclaimed expert of old instruments he had limited time to make instruments. Yet his entire production is of the highest quality, and is sought after by collectors and professional musicians alike.

This violin is exemplary of his production. All the woodwork is exquisite and elegant, the varnish a rich red with a touch of antiquing. The tone is clear and fresh with plenty of power. It is in exceptional condition and would be fit for a collector or professional musician. It is accompanied by a certificate from Jean-Jacque Rampal from 2020.

Paul Blanchard *SOLD*
19070

We are pleased to offer this superb violin by Paul Blanchard of Lyon, one of the great 19th century violin makers. Born in Mirecourt, the cradle of French violin making, he began his studies at the age of 15. He subsequently trained with and worked for some of France’s most prominent luthiers, including Darte and Silvestre. At the fresh age of 19 he established his own shop in Lyon, where he had a long and storied career. The most prominent instrument maker in Lyon during his lifetime, he was appointed official luthier to the Lyon Conservatory, the Lyon theaters, and the Lyon orchestra. Made at the height of his ability, this violin is of luminous tonewood dressed in a rich red varnish. It has a vibrant tone and is in excellent condition. It is accompanied by a Moennig certificate.

Luigi Rovatti
17733

This violin has a brilliant, responsive tone. The maker emigrated to Argentina from Italy, and may have studied with Joseph and/or Enrico Rocca.

Labeled Vuillaume
17218

Possibly by George Gemunder

Luigi Mozzani
13174

Mozzani was a guitar prodigy as a youth who began constructing plucked instruments. He opened up a successful workshop making plucked and bowed stringed instruments. The workshop employed several talented luthiers, and received instruction on violin making from the renowned Carletti family. This violin was made after moving to Bologna, where the business thrived. It has a strong, sweet tone.

J.E. Hardwick
17383

Hardwick was a pupil of George Wulme Hudson. This violin has a brilliant, powerful tone.

Andrea Schudtz
19406

Andrea began his career in violin making with his father in Moscow and was already an established maker when he began his studies at the violin making school in Cremona, graduating in 1995. He has won numerous awards at international competitions.

 

Daniele Tonarelli *SOLD*
15566

Since graduating from the school of violin making in Cremona fifteen years ago, Daniele Tonarelli has distinguished himself in a number of competitions around the world. This beautifully crafted violin is in the classic modern Cremona style. The tone is even, warm and clear.

Mario Frosali
19227

Trained originally as a violinist, Frosali established as a violinmaker in Florence in 1932 having studied with Giuseppe Scarampella. Emigrating to America, he worked first in New York where he worked for Emil Herrmann. While there he worked alongside Simone Sacconi. He moved to Los Angeles in 1939 working at Wurlitzer in their violin department, establishing his own shop in 1954. In 1949 he was the only American maker to win an award at a major competition in the Hague.  He was enormously successful and his instruments were (and still are) in great demand both in the Los Angeles area as well as here in the Bay Area.

Jules Grandjon *SOLD*
18334

Jules Grandjon worked in Paris and Amsterdam before opening his very successful workshop in Mirecourt in 1850. His work won a number of medals at a number of competitions at Paris and London. This is a beautiful example of his work with a big powerful tone.

Auguste Delivet*SOLD*
15058

After serving his apprenticeship in Mirecourt with his uncle Victor Rambaux, Delivet went to Paris to work with H.C.Silvestre. He opened his own shop in Paris in 1892. In 1918 he left Paris for Canada. It seems that his best work, such as this violin, was that done in Paris. He won numerous awards and medals during those years.

Michele Ferrari
17432

Ferrari graduated from the Cremona violin making school ten years ago and has worked with Massimo Negroni and Elio Severgnini. He works both in Cermona and Madrid. We picked this violin from our last Cremona exhibition.

Arturo Virgoletti
14278

Virgoletti is the son of a woodworker and lute maker and was introduced to violin making by Ferdinando Garimberti. After making several violins, he began a ten-year apprenticeship with Sesto Rocchi. Starting in 1993 he began working with the Bisollottis (both father and son).

Ernst Heinrich Roth
19250

The town of Markneukirchen in Saxony has been famous for violin making since the mid 1600s when the first violin making guild was formed. By the late 1800s more than a quarter of a million string instruments a year were being shipped all over the world with almost half the production coming to the U.S. After WWI, production in Markneukirchen dropped significantly but the companies that remained started to concentrate on the making of higher quality instruments. At the beginning of the 1920s. Ernst Heinrich Roth I (1877-1948) took over the operation of the Roth family firm and began to produce violins of exceptional quality. These fine violins were so popular in America that Ernst Heinrich sent his son Ernst Heinrich II (1890-1961) to this country to represent the firm. By the 1930’s, production decreased due to the rise of Nazism and the war. In spite of that, we still see fine Roth violins from the 30’s and even the late 40’s. Under Communist rule, the firm was taken over by the government and their building confiscated. In 1953, the business was re-established in Bubenreuth, West Germany and they began production of high quality violins, violas, cellos and bows.

Today, Ernst Heinrich Roth violins from the 1920’s are in great demand because of their exceptional quality and are increasing in value. Although originally the 1920s Roth violins were made in 13 different quality grades (reproductions of works of famous Cremonese violins by Stradivari, Guarneri and Amati), there is actually little difference in the different models in terms of quality. Some of these violins are labeled Eugen Meinel and are similar to the Roth violins and have comparable value. We have always searched for Roth violins from the 1920s and usually will have several examples available.

Jay Haide Statue Model
303SCEL

This special model represents an excellent alternative to our regular European wood cellos. The European wood used for this model was chosen for its tonal qualities and is offered at an ideal price point. The cellos project with rich warmth and great power. We are currently offering the S model in Strad, Montagnana, and Ruggeri patterns.

See www.jayhaide.com for further information on our Jay Haide instruments.

Descriptions and pricing in our article on Jay Haide instruments

Luigi Merighi
13181

Born in 1905, Merighi was a self taught maker, constructing violins based on the models of the Cremonese school. This violin was made when he was nearly 70 years old, and is characteristic of his rustic charm.

Saeid & Shahram Rezvani
REZVANI

Over the last 25 years the brothers Rezvani have made more than 500 violins, violas, and cellos. They began their studies in Iran with Ibrahim Ghambari Mehr, ex-student of the Parisian master, Etienne Vatelot, and later in Vienna with Johann Rombach. They continue perfecting their art as members of the Violin Society of America, working with such masters as Joseph Curtain. Now based in Los Angeles, they produce excellent instruments. Their work is very characteristic, resonant and sweet, easy to play, rich in tone color. We are very fortunate to have several of their instruments at this time, perfect for a young musician.

Branded “E.H.Superior”, Emil Herrmann workshop
12828

Emil Hermann was one of the most important violin dealers in Berlin, later opening a shop in New York in 1924. Among his clients was Jascha Heifetz, who purchased his famous Guarneri Del Gesú in 1922. Among his employees were great luthiers like Simone Sacconi and Mario Frosali. Hermann acquired fine violins from the best luthiers in Germany to sell in his shop. This particular instrument was made for and sold by Hermann, and is in new condition, looking as if it was recently made. It has an exceptional tone, full and powerful.

Haide Lin
17565

Over the last several years, Haide Lin, who oversees both our repair and restoration workshop and our Jay Haide workshop, has won numerous medals and awards at the Violin Society of America competitions. This exceptional and beautiful violin is modeled afte the work of the great J.B.Vuillaume. Tonally outstanding, this violin has a responsive tone with great depth and complexity.